Support Old Black Hollywood YouTube channel by. One of the premiere African American women artists of the. Aida Overton Walker dazzled early-twentieth-century theater audiences with her original dance routines, her enchanting singing voice, and her penchant for elegant costumes. Her work built a path for many who came after her, pushing the boundaries ever further toward acceptance on and off stage. Wearing her husband's male costumes, Aida Walker performed both his role and her own. Aida Overton Walker, Vaudeville Actress, one of the most popular African American women entertainers. This encyclopedia article consists of approximately 4 pages of information about Walker, Aida Overton (1880-1914). Aida Overton Walker is remembered today, the day after her birthday, as a woman who paved the way for a more whole and less problematic view of African American performers and African American women at large. In 1908, George Walker became ill and could not continue in the run of Bandanna Land. A command performance at Buckingham Palace in 1903 transformed Walker into an international star. Walker played the female lead in The Policy Players (1899), Sons of Ham (1900), In Dahomey (1902), In Abyssinia (1906), and Bandanna Land (1908). Born in 1880, Aida Overton Walker, was a singer, dancer, actress, and choreographer, regarded as the leading African American female performing artist at the turn of the century.īorn on Valentine’s Day in New York City, Aida Overton began her career as a teenage chorus member of "Black Patti's Troubadours." While performing in The Senegambian Carnival (1899) she met George Walker, and the two were married on June 22, 1899.Īfter the marriage, Aida Walker worked as a choreographer for Williams and Walker, her husband's vaudevillian comedy duo.īy presenting ragtime musicals with all Black casts, Williams and Walker helped bring authentic Black songs and dances to a form of entertainment that had been dominated by demeaning minstrel shows.
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